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Cinesamples 90’s Retro Trumpets KONTAKT90年代复古小号3 b" k0 | \$ z' B. m4 f
音色库:1G
8 U+ D+ ]) @, o- N% y音色中声音最有趣的部分之一是使用Avalon 2055--一款精致的A级分立式立体声硬件均衡器，以最独特和高保真的方式为高端着色，混响采用经典的莱斯康480L，塑造完美的经典色彩！# i. x: c* g6 I3 W; j
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90’s Retro Trumpets is a faithful emulation of all things trumpet and all things recording from this magical time that crafted many of our childhoods. Thoroughly researched, this melody-making library resurrects the actual microphones and the forgotten trumpet techniques that gave these scores such unique color, tutti, and magnificence. Recorded at the MGM Scoring Stage at Sony Pictures Studios in Los Angeles. It's shocking that the 90’s are now considered a long time ago. Many titans of the session playing world of this period have retired. As they are replaced by their younger colleagues, certain principles of pedagogy and musicality have been retired as well. In the control room, while many of the central philosophies have remained the same, modern recording seems to have evolved to use cleaner, higher bandwith and less colored gear. It's now a slightly different sound, which some favor, some disdain, and most simply don’t notice. Last year, while recording something unrelated, the original pencil marked Jurassic Park session recall sheets popped up out of the filing cabinet for some nerdy ogling. Right there on this aging paper was the actual recipe used to record the orchestra for these landmark sessions. The vision was clear - replicate this sound. We went to great lengths to do this while always referencing the recall sheet and using the memories of some of the Sony Scoring crew who were actually there. Here are the steps we took.4 i6 d, I; d. B8 |* a
- We rented the three exact modified Neumann M50 microphones used as the Decca Tree on the original sessions. They feature a unique hi-end crispness and transparency that is instantly recognizable. These microphones have mostly been retired since the early 2000’s. We matched every other microphone on the recall sheet and set them up in 90’s fashion.& C2 W- @' Y H& p7 G3 H( K; W& z
- In the control room we patched in the exact preamp settings on the exact same preamps that still are mounted on the studio wall to this day. Most of these are now retired and replaced by cleaner and less colored signal paths by companies that weren’t created yet at the time.
" M& ]- }6 h7 l" K8 v- The favored Lexicon 480 hardware reverb unit was taken out of retirement and the exact reverb patch was dialed up. This was “THE” patch of the 90’s for most of these recordings - it is so 90’s sounding and is also instantly recognizable.
# e5 x0 ^4 n. C6 E: e7 z. \- One of the sonically most interesting parts of the recipe is the use of the Avalon 2055 - a delicate Class A discrete Stereo Hardware EQ that colors the high end in the most unique and hi-fi way imaginable. Also retired in favor of other mastering EQs, this box is a gem. When used correctly, it gives the most glossy sheen imaginable on the overtones, and when used incorrectly gives the harshest of harshn
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