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Pyramix 10带来了一个全新的工具包,这使得被最大的扬声器布局困住的想法成为过去的事情。并且,与许多其他新功能增强和更新匹配,Pyramix 10是全球音频工作站演进的下一个基准。
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) ]" N7 a# |$ o/ T; t+ V0 u% HPyramix v10可以模拟出3D声音,无需依赖于传统的 5.1 和 7.1 格式,而且声音品质非常出色,与该公司的DSP运算硬件卡搭建一起之后,声音会更为出色。Pyramix与protools一样,都是顶尖的录音软件。/ Z V2 n* T! v5 ]4 z3 Z; g& e
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Audio content creation is all about creating immersive environments. Whether it is making a piece of music come alive or feeling the action while watching award winning television or cinema, being able to create something that the user believes is the most important thing. And with 3D audio this is now easier than ever before.
# @# x. O9 t5 SPyramix 10 brings an entirely new toolkit which makes the idea of being trapped by a maximum speaker layout a thing of the past. No matter what the application, bringing a 3rd dimension to your audio content will have a profound effect on your next production. And, matched with a number of other new feature enhancements and updates, Pyramix 10 is the next benchmark in the evolution of audio workstations around the globe.6 E/ ^' L. ?6 c
Edit/Mix/Master During Record
; c, w. B% B& e0 q: s2 AImagine being able to stop your timeline and let your recording continue. This simple difference from standard DAW recording allows users to play over material, scrub, edit, automate, render add and edit CD markers and generally treat the entire timeline as though it were filled with previously recorded sounds. This is an indispensable tool for almost every single Pyramix workflow.
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Secure Recording Features
7 d& q6 e8 U' Z" t! d& s( p dFrom automatic keyboard lockout for long uninterruptable takes (like a live concert such as The British Royal Wedding) to backup media paths for every recorder (allowing two distinct media sets to be created for each recording), Pyramix is the most trusted DAW when it comes to reliably capturing even the most critical of performances.
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A single Pyramix MassCore system is capable of recording up to 384 discreet audio channels at once. This has huge implications at 44.1/48 kHz, but is even more interesting when samplerates start to increase.
1 G5 G7 n2 d1 J; b384 track recording @ 44.1 / 48 kHz
' W. U5 s) [; z4 G' a192 track recording @ 88.2 / 96 kHz
; v1 U$ O% v9 h0 T/ Y5 n96 track recording @ 176.4 / 192 kHz( @, U8 ^9 ?8 q9 \6 s. g
48 track recording @ DXD / 384 kHz
1 a0 C2 T9 Y, i2 r32 track recording @ DSD64 / DSD128 / DSD256' D9 y. `' D/ V8 V O- p1 r" p
Merging Pyramix v10.1.3 (Win64)
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